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Photo Stories & Awards

  1. Rach and Pete's Kelham Island Museum Wedding: Brick, Steel and a Fake-Out Kiss 28c Rach and Pete's Kelham Island Museum Wedding: Brick, Steel and a Fake-Out Kiss Mark Tierney's Kelham Island Museum wedding shows how an industrial venue, warm styling and a quick-witted ceremony can shape a set of photographs.
  2. Peak District Barn Wedding in Derbyshire: Jenny & Tom Through Mark Tierney's Lens 27c Peak District Barn Wedding in Derbyshire: Jenny & Tom Through Mark Tierney's Lens Jenny and Tom's Derbyshire barn wedding shows how open countryside, honest reactions and low-light reception work can make a strong wedding story.
  3. Rain-Soaked Hilltop Marquee Wedding in Holmfirth 26c Rain-Soaked Hilltop Marquee Wedding in Holmfirth A DIY marquee wedding near Holmfirth, with a campervan arrival, allotment-grown flowers and relentless rain. Mark Tierney's photographs show how the d...
  4. Winter Wedding at Wrenbury Hall: Candlelight, Mist and a Dinosaur on the Dance Floor 25c Winter Wedding at Wrenbury Hall: Candlelight, Mist and a Dinosaur on the Dance Floor A winter wedding at Wrenbury Hall shows how candlelit interiors and misty night light can work together. Here's how the day came together.
  5. Nikki & Katie's Kelham Island Museum Wedding: Dogs, Neon and a Silent Disco 24c Nikki & Katie's Kelham Island Museum Wedding: Dogs, Neon and a Silent Disco A Sheffield wedding at Kelham Island Museum with dogs in the aisle, portraits beside the Bessemer Converter and a silent disco. Mark Tierney's shoot n...
  6. Naval Sword Arch and Ceilidh at Hodsock Priory: A South Yorkshire Wedding 23c Naval Sword Arch and Ceilidh at Hodsock Priory: A South Yorkshire Wedding Mark Tierney's Anston and Hodsock Priory wedding pairs a Royal Navy sword arch with a lively ceilidh. Here's what it shows about working across a full...
  7. Packing for Remote Wildlife Shoots: Weight Limits, Off-Grid Power and Gear Choices 29c Packing for Remote Wildlife Shoots: Weight Limits, Off-Grid Power and Gear Choices A Danish wildlife photographer's pack for Scandinavian expeditions: a 20 kg ceiling, solar-based charging and the gear that earned its place.
  8. Kambula Lionesses Return to Familiar Ground at Londolozi 16c Kambula Lionesses Return to Familiar Ground at Londolozi Two northern Londolozi lionesses turned up in the southeast with four surviving cubs, a reminder that lion movements rarely follow a plan.
  9. Hlambela Holds His Warthog as Tsalala Tests the Branches 17c Hlambela Holds His Warthog as Tsalala Tests the Branches A Londolozi leopard keeps a warthog kill out of a lioness's reach in a weeping wattle, and the standoff shows how far a cat will go to protect a meal.
  10. Learning to Read Light Before You Raise the Camera 13c Learning to Read Light Before You Raise the Camera Brad Carr's ten habits for learning light, from daily observation to breaking the rules, and why each one sharpens your pictures.
  11. Wide Frames and Wild Dogs: A Week of Londolozi Wildlife Pictures 18c Wide Frames and Wild Dogs: A Week of Londolozi Wildlife Pictures A 70–200mm walk through leopards, wild dog pups, cheetahs and elephants, with wider frames that show the bush around the animals.
  12. OM SYSTEM Cameras in the Field: Small Sensors, Big Results 31c OM SYSTEM Cameras in the Field: Small Sensors, Big Results A month with the OM-1 Mark II shows how Micro Four Thirds handles lenses, stabilization, computational modes and travel weight in real conditions.
  13. Two Lion Prides, One Clearing, and a Swat That Settled It 19c Two Lion Prides, One Clearing, and a Swat That Settled It Two Kambula mothers and five Ntsevu lionesses met over a wildebeest kill at Londolozi. The encounter shows how related prides keep a tense, shared his...
  14. Layering Grunge Textures and Blood Splatter for an Eerie Photo Composite 8c Layering Grunge Textures and Blood Splatter for an Eerie Photo Composite A layered Photoshop composite built from grunge textures, blood splatter brushes and soft light blend modes, with a cold grade planned as the final st...
  15. Compositing Parrots Into a Nature Scene with Pen Paths, Curves Masks and Ivy 9c Compositing Parrots Into a Nature Scene with Pen Paths, Curves Masks and Ivy A Photoshop compositing workflow for placing parrots into a nature scene, using pen-tool masks, split curves adjustments, and blurred ivy for depth.
  16. Walking Away from Unpaid Shoots: Scripts for Photographers Ready to Charge 32c Walking Away from Unpaid Shoots: Scripts for Photographers Ready to Charge Stuck on free shoots while the portfolio never feels finished? Here's how to spot the real reasons you're saying yes, and the scripts for raising your...
  17. Building a Floating Monk Scene in Photoshop: Sky, Clouds and Layer Setup 10c Building a Floating Monk Scene in Photoshop: Sky, Clouds and Layer Setup Set up a surreal cave-and-clouds monk composite with layered skies, one-axis moves and a clean layer stack before the heavy masking begins.
  18. Nikon ZR Firmware 2.00 Brings RED Color Science to H.265 Recording 1c Nikon ZR Firmware 2.00 Brings RED Color Science to H.265 Recording Nikon's ZR firmware 2.00 adds Log3G10 to H.265 recording, four High ISO NR levels, and more dial and button assignments for faster shooting.
  19. Compositing a Polar Bear Reflection With Displace Distortion in Photoshop 11c Compositing a Polar Bear Reflection With Displace Distortion in Photoshop Build a rippling polar bear reflection with noise-based displacement maps, layer masking and a soft contact shadow in Photoshop.
  20. Dramatic Light for Fantasy Composites: Building the Scene Before the Glow 12c Dramatic Light for Fantasy Composites: Building the Scene Before the Glow Set up a fantasy composite on a moody dark-blue base, desaturate the background with clipping masks, and lock in the scene before adding any light.
  21. Drafting a One-Page Client Contract Before Your First Shoot 33c Drafting a One-Page Client Contract Before Your First Shoot A one-page contract covering scope, deliverables, payment, cancellations and usage rights can be drafted in an hour and protects both sides.